Hadal Narayanpur ~ Amazing Terracotta Beyond Bishnupur

Hadal Narayanpur

Amazing Terracotta Beyond Bishnupur

See also: Bishnupur Temple Town and Beyond Bishnupur

Bushnupur has always been considered as the Terracotta capital of West Bengal. But the terracotta temple art have spread far beyonds the limits of Bishnupur and several of the villages surrounding Bishnupur houses many spectacular terracotta temples.

Mandal Mansion, Hadal Narayanpur

Joypur, Dihar, Bahulara, Gokulnagar and Sonamukhi definitely deserves a mention but the village thats stands out is Hadal Narayanpur. This twin villages has the distinction of housing several terracotta temples with the most intricate and delicate carvings.

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Mahabharata on Bengal Terracotta

~ A compilation of Mahabharata panel in Bengal Terracotta ~

See also: Mahaisasuramardini on Bengal Terracotta

The two great epics of Ramayana and Mahabharata represents the real perspective of the Indian philosophy of life and is considered as the phenomenal history of men, gods, spirits, demons, social and political space, time, truth, law, austerity, usage, purities, sins, evils and finally wisdom of the people of the great sub continent. Both the epics have shown astounding vitality not only in the years of political dominance of the Hindus, but also in the days of invasion, and assimilation of alien people and their cultures.

For over two thousand years the Ramayana and Mahabharata has been influencing deeply the religious and moral thoughts as well as literacy and artistic production in India. The exotic terracotta Temple of Bengal (West Bengal and Bangladesh) are no exceptions.

The walls of the Bengal terracotta temple are dotted with stories from the two great epics but strangely Ramayana panels far out number the panels from Mahabharata.

Mahisasuramardini on Bengal Terracotta

~ A compilation on Mahisasuramardani panels on Bengal Terracotta Temples ~

See also: Mahabharata on Bengal Terracotta

Mythology presents goddess Durga as the genius of destruction springing into existence on occasion to fight out destroy the evil forces jeopardising the values and virtues of the earth and also posing threats to god’s creation.

Mahisasurmardini, one of the most popular form of goddesses Durga, is described as a slayer of the bull – shaped monster Mahisasur, who challenged the ocean and the Himalayas. Mahishasur is said to be like a roaring cloud and regarded as a Danava and Asura. Mahishasur was like a storm capable of defeating the in battle, till such time goddess caused his slain.

The most popular form of Durga appearing on on Bengal Terracotta Temple is the episode of slaying the buffalo demon (Mahishasur). Durga riding her vehicle, lion is mostly accompanied by her daughters and sons, namely Lakshmi, Saraswati, Kartik and Ganesh.

The Mahisasuramardini motif is common on many of the late medieval brick temples of Bengal, irrespective of the worshiped deity to which the temple belongs.

Beyond Bishnupur ~ Brick and Stone Temples

Beyond Bishnupur

Brick and Stone Temples

Stone has always been in short supply in the vast flood plains of Bengal. Hence the architects had to restore to other substitute. As clay was easily available the burnt clay bricks soon became a good substitute of stone. This gave rise to a new form of temple architecture and lead to the construction of elaborately decorated terracotta temples. The terracotta art reached its pinnacle under the patronage of the Malla Kings of Bishnupur during the seventeenth century. The temples are still there turning Bishnupur into one of the most favored tourist spot in West Bengal.

But the tourist attraction of Bishnupur are not restricted to Bishnupur alone. Several non – descriptive towns and villages, located within 50 km radius of Bishnupur, have the distinction of housing some of the spectacular terracotta and stone temples of the state.

So next time in Bishnupur don’t give this places a miss.