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14 Stations of the Cross, a compilation

April 23, 2014 Leave a comment

14 Stations of the Cross

A compilation from different churches

The 14 Stations of the Cross of Christ is a series of artistic representations, very often sculptural, depicting Christ Carrying the Cross to his crucifixion in the final hours of Jesus before he died, and the devotions using that series to commemorate the Passion, often moving physically around a set of stations. The vast majority of Roman Catholic churches now contain such a series, typically placed at intervals along the side walls of the nave; in most churches these are small plaques with reliefs or paintings. (Source: Wikipedia).

Cross Stations XIII, Portuguese Church, Calcutta (Kolkata)

Cross Stations XIII, Portuguese Church, Calcutta (Kolkata)

I Jesus is condemned to death

II Jesus is laden with his cross

III Jesus falls the first time

IV Jesus meets his mother

V Simon of Cyrene helps Jesus

VI Jesus and Veronica

VII Jesus fall a second time

VIII Jesus address the women of Jerusalem

IX Jesus falls the third time

X Jesus is stripped of his garments

XI Jesus is nailed to the cross

XII Jesus dies on the cross

XIII Jesus is taken down from the cross

XIV Jesus is laid in the sepulcher

Please note that the captions of the Cross Station vary.

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Mahabharata on Bengal Terracotta

February 13, 2013 4 comments

Mahabharata on Bengal Terracotta

~ A compilation of Mahabharata panel in Bengal Terracotta ~

See also: Mahaisasuramardini on Bengal Terracotta

The two great epics of Ramayana and Mahabharata represents the real perspective of the Indian philosophy of life and is considered as the phenomenal history of men, gods, spirits, demons, social and political space, time, truth, law, austerity, usage, purities, sins, evils and finally wisdom of the people of the great sub continent. Both the epics have shown astounding vitality not only in the years of political dominance of the Hindus, but also in the days of invasion, and assimilation of alien people and their cultures.

For over two thousand years the Ramayana and Mahabharata has been influencing deeply the religious and moral thoughts as well as literacy and artistic production in India. The exotic terracotta Temple of Bengal (West Bengal and Bangladesh) are no exceptions.

The walls of the Bengal terracotta temple are dotted with stories from the two great epics but strangely Ramayana panels far out number the panels from Mahabharata.

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Mahisasuramardini on Bengal Terracotta

October 3, 2012 14 comments

Mahisasuramardini on Bengal Terracotta

~ A compilation on Mahisasuramardani panels on Bengal Terracotta Temples ~

See also: Mahabharata on Bengal Terracotta

Mythology presents goddess Durga as the genius of destruction springing into existence on occasion to fight out destroy the evil forces jeopardising the values and virtues of the earth and also posing threats to god’s creation.

Mahisasurmardini, one of the most popular form of goddesses Durga, is described as a slayer of the bull – shaped monster Mahisasur, who challenged the ocean and the Himalayas. Mahishasur is said to be like a roaring cloud and regarded as a Danava and Asura. Mahishasur was like a storm capable of defeating the in battle, till such time goddess caused his slain.

The most popular form of Durga appearing on on Bengal Terracotta Temple is the episode of slaying the buffalo demon (Mahishasur). Durga riding her vehicle, lion is mostly accompanied by her daughters and sons, namely Lakshmi, Saraswati, Kartik and Ganesh.

The Mahisasuramardini motif is common on many of the late medieval brick temples of Bengal, irrespective of the worshiped deity to which the temple belongs.

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